The Work of American Poet Igor Goldkind

Archive for July 15, 2014

DEATH is Not a Party.

It is the conflation of just social-political cause with racist tribalism that appeals both to the Muslim jihadist and the European tribal nationalist.

Fear twisting into hate through the media lens: the West against Islam; radical Islam and right wing nationalist against Jews; Shiite against Sunni;

Israeli against Arab; Christian against immigrant; Jihadist against the west.  Full circle.

The same putrid lubricant greasing the wheels of hate; one resentment refueling the next. 10408521_10152228408957984_3336770457029824200_n
Those with the most guns, killing the most children; a perpetual hate machine.
Clive Barker’s version of the wheel of Dharma; the one that unlocks the gates to hell.

Sanity: first, there is no flavour to death. Death is death, you eliminate the identity, the reality of that person. There are no political deaths compared to jealous deaths. Death carries no attributes of its intent. it has no intent. It just is; or rather just ‘not is’.

The first step of delusion towards becoming a killer is to believe that ‘our death’ is worth more than ‘their death’. Self preservation, survival and competition are the first justifications for violence. “It was self-defense, officer, I swear he fired a scud missle first!” That’s the ticket to dehumanizing the target of your intent: to kill. Their deaths hence their lives, are less valuable than mine. The rest is easy once you’ve taken this step away from empathy. Their children are not as valuable mine, their claim to land I need, their eating habits, religion, etc. etc.

The twist in the Devil’s Tail is of course the slippery slope of dehumanisation necessary order to prepare a target for death is symmetrical: to be complicit in, to applaud the death brought upon others because they are not as worthy as you are is to dehumanize yourself. is to kill that connection you have to the rest of your humanity. It is to clog the vital faculty, the sense that connects us all as a humanity. To kill another (or to endorse the killing of another), is to kill the human that is your being.

10457836_707240165978966_588597948979030080_nEvil is always intricate.
For if anything can be called Evil then it must be the taking of that which we were gifted and yet we do not understand: the very lives we live.   Taking one, annihilating another one of us, is akin to stealing something for which you have not only no use, but  have no real comprehension of its value.

To make it easy for people to kill other people all you have to do is diminish both their value.

But the black psychological tendrals creep deeper and deeper into our worst fears.
For us to even contemplate the magnitude of the murder that surrounds us, so much done in our names and for our ‘security’. For us to even try and keep up with the deth tolls in Gaza, Egypt, Sudan, Syria, Lebanon, Pakistan, Iraq, Afghanistan and beyond; entices us to shut down our empathy as well.10411338_731415960256709_6647285618956962034_n

The sheer scale of death that surrounds us is so overwhelming,  even to those who could actually do something about it. To us spectators (because that is ultimately what we have been reduced and dehumanized  down to); we hide what our senses tell our brains  behind  filters of helplessness and anonymity. There’s nothing I can do, besides, we don’t know the people that  we see on our screens, the children we see dead on our screens.

In that alone we are  meshed, murder victim and spectator: in our mutual powerlessness and anonymity. 

We do not know them so we cannot identify with them.

If we can’t be them,  then we can not feel them.

Even though in fact, we are them.


My Brief Review of DAWN OF PLANET OF THE APES; many, many spoilers:

99% of the population of San Francisco can no longer afford to live in the city due to the spiralling costs of living and debunk to live in the John Muir Woods across the Bay without electriity and mod cons.

DAWN PLANET APES MOVThe remaining affluent 1% realise that all their accumulated capital without a labour force is useless and try to convince the tree-dwelling hippies to go back to being bellboys and waitresses so that the affluent can restore their pre-viral lifestyles. This works at first and the long haired, unkempt hippies first actually help the 1 percenters to clear debris from a dam so that they can restore power and a new age consumer lifestyle to San Francisco. But the detente between pointless capital and directionless labour is short lived and soon the managers and the employees are at each other’s throats over overtime and medical coverage.


dawn_of_the_planet_of_the_apes_2014-wideEventually Caesar Chavez comes back from the dead to stand up to the bosses and lead his hippie busboy revolution against the purveyers of parking zone restrictions. Although, the one percenters leave, it’s not before they’ve contacted the residents of Marin County who are on their way following complex freeway off ramp instructions and are in desperate need of both mobile masseuses and pool cleaners.



War is inevitable.

This was my inital impression of the Hollywood blockbuster lore; for it is indeed since my inital writing, now a blockbuster.  And thus with Blockbuster comes prophecy and divination!  Now we shall catch a brief  breath of zeitgeist blowing our way.  Here, as Hamlet entertained Claudius, we may also catch a glimpse of collective facial expression as we see humans dressed up in vector graphics and moving like primates.  Primates pretending to be primates…but there’s the rub!  The politics of APE DAWN are actually about species and identity, in spite of my tongue-in-cheek parody of a film review above.  Caesar’s colony of intelligent apes embraces species (chimp, gorilla, orangutang), as different from each other as each is different to Man.  And that’s the point, it’s the hairless ones that create division, exclusion, privilege.  I’m genuinely surprised in the film when the humans spend a few days with the apes at their colony that more of the humans don’t cross over; I mean they’re all primates after all; no one more diverse than any other.  Who wouldn’t choose Ceasar’s subsistence-led, self-reliant, ecologically sound lifestyle over the posse of 76 Gas Station vending machine human raiders?


Ceasar doesn’t like human primates, but he was raised by one and is open to the concept that there are a few good hairless primates.  It is us, the hairless ones who cannot understand what our own fucking mirror is telling us, in our face, to our face:  we are apes.  we are primitives.  our brains haven’t developed significantly at all since Neanderthal times.  This move is about identification: of the Self, of the community one finds oneself connected to and how we see our sense of self identified through the mirrors of the familiar that we find in the world.  What we identify our selves with.  In identifying we gain comprehension and empathy.  In APE DAWN, the hairy primates behave no differently than the hairless ones.  Each is ultimately thwarted by avarice, fear and greed.    But the difference is that one can’t deny the fictional rule of the world the film depicts, that the humans would have gained acceptance and homogeny within the primate collective, long before the hairy primates would be incorporated into a hairless primate colony.


And here we find where limiting identification, closing off borders, building walls, providing security, promoting tribalism, exclusion, cliques and classes and that grand moustached, blood drenched daddy of them all: Nationalism, all inhibit our ability to connect with the world as it is, not as it is prescribed.