David Halliwell

A Drinking Song: The Ghosts of Christmas Past and Present


 

Last night was kind of my XXXmas eve, being a Saturday night, with no ghosts to placate until Monday morning. So I took my Victory out for a long ride, 46 miles down to Chula Vista to drop in on my drunken-angel-poet-brothers Alex Bosworth and Chris Vannoy. As I told them, I’ve never stopped in Chula Vista before,  only passed through it; well on my way to crossing the border between Mexico and Madness.

Back in the Beatnik Days, when America was still a Great Shining Beacon of Golden Intentions and jail-breaking freedoms, going south of the border was a euphemism for leaving the straight rational world and exploring the psychedelic corridors and hallways of the unconscious mind, where the muses played poker to the sound of Gabriel’s saxophone under a streetlamp, playing for spare  change, playing for the end of time. Kesey, Cassidy, Timothy Leary had all spent time south of the border, hiding from the authority.

But I wasn’t going all the way south or crossing any borders. Instead, like a Boddhisatva practising the discipline of worldly compassion, I was riding south on the great American highway stopping just short of going over the edge. Stopping long enough for the rest of my sentient species to hop on board and cross over with me.   How long I gotta wait?   The blur of the wind in my eyes transforms Inter-state 5 into a two-lane river of white headlight diamonds on one end heading towards but past me and on the other end,  a torrent of glistening rubies speeding with me, flowing around me,  carrying me forwards in one high speed direction.

I was carried on a slipstream of glistening rubies last night.  Chilled legs wrapped around my angel in flight, carrying me aloft above all thought, beyond all hesitation, in that dangerous living moment when every half second of thought is solid and real with consequence; and any distraction is a trap door thumping open under the hangman’s rope.

That is the fury of mediation. That is my arrival in this moment that we all share. The calm at the center of chaos.  Join me, dear reader, at the centre of chaos.

So I’m heading south armed with an unopened bottle of rye, the spirit of the season travels with me. Good whisky is about as spiritual as I get these days.  It is my usual Xmas tradition to grab a bottle of good booze and head down to the Greyhound station, or the street corner, outside a homeless shelter or an alleyway or anywhere I can find and join a cluster of the disaffected, the homeless, the pointless, the ones left out of family portraits. Just to share a drink, a joke and the dregs of our mutual humanity.

But this year, not particularly in contrast,  I’ve chosen the company of Deadbeat poets, failed self-construction workers, mental hospital misfits, suicide skippers and gravel-voiced prophets capable of predicting the present with uncanny accuracy. Cassandra’s children muttering under their condensed breaths, scratching their prophecies from the oracle down for the benefit of anyone who still remembers how to read; or how to listen. Tonight these are my brothers (and sisters), in arms. Raging against a sea of struggles, believing that by opposing them, we will end them and wrap our soiled blankets of peace around this cold, shivering world’s shoulders.

Chris Vannoy & Alex Bosworth

Dead Beat Poets

I make it to Main Street much too early and agree to meet my comrades in a bar called Sanctum. I have no currency apart from my still untried bottle of rye so I stand outside on the pavement near but not too near two young women smoking butts and laughing. ‘Merry Xmas’, I venture.

‘Merry fucking Xmas to you too’, is their reply.  So I listen. A skill I am still mastering.   The raven-haired beauty of the pair is recounting her love life to her friend. Telling her how she had met her intended’s eyes at work, a burning penetration in time and how happy she was that at least she knew, that she knew that she knew that there was an unstated passion, thrilling at the unstated, as yet unenacted attraction between them.
The bittersweet anticipation of passions yearned for but still yet to come.

I wanted to tell the dark-haired young woman how lucky she was to be free to express such yearning to another woman. Jealously,  I wanted her to pity my poor lame masculinity and the political mindfield I had to traverse to even come close to sharing such a pure moment of true emotion and affection.   But I didn’t. Who wants to hear another pitiful man’s story anyways? This was the year of raised female voices. Voices raised in anger, in righteous retribution for all the wrongs accrued., in demand of recognition. Voices of freedom insisting on justice, insisting on equal treatment without unwanted trespass.

Poor me, poor me, pour me another drink. . . .

So instead I pulled out my weapon of virtue, my great equalizer of man and woman, my bottle of rye from my bag and asked if ‘You ladies would like a drink”. “Hell yes”. And for a brief instant, I felt just like St. Peter patrolling the earth and giving comfort to lost souls.

This murdered the time until my wordly brothers finally arrived. We poured from the bottle into bright red dixie cups, swigging them down in the parking lot before entering the warmth of Sanctum Ale House to talk poetry, performance, and what we were going to do with the rest of our lives.  This was beginning to feel a lot like a rendezvous of fallen angels pausing for a drink and brief reflection before hitting Hell.

Beatnik Approved!

Beatnik Approved!

There was no reason to take a picture or a selfie or even take note of the time. We drank, we talked, we tried to make each other laugh and we indulged in our common humanity; a focus on what we shared more than what we didn’t.

My mind spun back in time to the many drinking conversations I had with my late great friend, the writer David Halliwell.   The only man I had ever met who had got drunk with Sam Beckett.   So David told this story of buying a bottle of good Irish whisky and taking the train to London, from Yorkshire. Easily a 4-hour journey.  On the trip, David got nervous opened the bottle and drank half the contents on the way down arriving completely cut up the King’s Road party where San Beckett would be.  He did find Beckett apparently and immediately sat down to finish the rest of the bottle he’d brought.  David got so drunk he couldn’t remember a word that Sam Beckett had said to him.

Last night, I told Chris and Alex about the year that David called me up to join him for a Xmas drink and The Bull Tavern in the little North East Oxfordshire village of Charlbury, whose village council insisted on calling it a town because it had 4 pubs, a pharmacy and a post office.

Advance Review pdf of IS SHE AVAILABLE_Page_50

I walked down the unpaved bumpy road to the tavern, past the Egyptian cottage with the papyrus reeds of Isis, the Goddess, not the terrorists.  I reached The Bull pub and Inn, Opened the heavy oak door and walked into a movie. The pub was nearly empty save for the bar that featured David on his bar stool holding court with his mates. Only his mates were images burnt on my retinas since childhood: John Hurt, Ben Kingsley, David Warner, Freddie Jones and his son, then unknown now better known than him, Toby Jones. I remember blinking in disbelief. I might as well have walked in on Lewis Carrol, Tolkien and CS Lewis downing pints all who had also frequented this pub some hundred years previously.

I remember David smiling, laughing his phlegmatic cough and motioning me over to introduce me to these faces from the screen. “This is Igor, he’s another writer; he’s a Yank but he’s alright”. I was just another writer in the company of actors, everyday workers taking a break from toiling in the star-maker factories behind the popular film. I was handed a bulbous goblet of glowing ruby wine and the rest is hard to remember. But I do recall making them laugh and David Warner towering over me and reminiscing about his one appearance in a two-part Star Trek opposite Patrick Stewart that had earned him enough to comfortably return to the stage for 7 continuous years. Apart from young Toby, these were board strutting actors; indifferent and virtually contemptuous of their movie work save for the vast sums Hollywood paid them for peddling their trade of packaged emotions.

The next year most of them would be dead, David Halliwell included. I would empty his cottage with a Scottish actor of his while his Yorkshire sister wept inconsolably on his stairwell. In England, people let you weep and leave you to the dignity of your grief out of respect for the exceptional display of emotion. If you openly weep in England its because the pain is so hard that you really can’t hold it in.

Back in the Sanctuum, I explained to my companions how David had taught me the true meaning and value of the literary arts, which for David included actors who tell stories with their faces.    Storytelling’s  place in the human universe, keeping the stars locked in their firmament and the cosmic spheres in perfectly balanced and meaningful rotation. David Halliwell wasn’t famous. He died a virtual pauper, alone, estranged from his sister, a Yorkshire man with an RSC accent from wanting to be an actor, who wrote every day of his life before heading down to the pub to argue with me.

But he was a great success, albeit not by any kind of American Calvinist standard. Rather he succeeded in staying true to his art. He never sold out to better-paid mediocrity.  He stayed true to his art, to himself and he survived with the respect and admiration of his fellow artists. When he died, I wrote and read this eulogy at his memorial, after Harold Pinter came up from Hampstead to say a few words about his departed friend. As did Stephen Frears and Scott Hampton (author of Les Liaisons Dangereuses).

I read this poem to David to my friends Alex Bosworth and Chris Vannoylast night. And in my mind, I went hunting and visiting my own xmas ghosts to remind me of the true joys of this season.

Daedalus Afraid to Fly.jpg

 

Daedalus Afraid to Fly

David, you bastard, you’ve left me
Understanding here alone,
With only these words falling out of my hands
When it is yours I want to hear again.

Words of your mastery, not mine.
So what was all the swearing about then, David?
What were all those Northern fumes really burning from?
I told you the songs of Yorkshire would never play in LA

Or London for that matter):
Two cities equidistant from your Yorkshire mother.
Tell me, David, why didn’t you just sell out?
You could have bought yourself a much better pint of beer

With all that money for old knotted ropes and
Still, have coughed up the phlegm to laugh at us all.
Is death your idea of some kind of joke?
Did you finally track down the film rights to Malcolm, David
And cash them in?

Are you really, secretly living in Barbados,
Making beautiful women miserable?
To think of all this wasted sorrow and
Empty glasses of beer.

You did say that you always wanted to visit other places.
But Daedalus, you were afraid to fly.
If you had been born upside down in America
You would have been a southern writer living in some Northern town.

Spilling your southern drawl over a rum and coke in a New York City bar.
Sitting elbow to arm with Williams, O’Neill, Baldwin and them all.
Your America was always an America of the mind.
So why fear the flight?

Your America David was where Charlie Parker
was forever sharp shooting pool with Humphrey Bogart
in some room behind a neon-splattered bar
Where Chet Baker never jumped or fell but flew, man!

He just flew away.

Just like you.

So you’re off then, David?
Back up the bumpy road,
Turning the corner around the Little Egyptian cottage
Navigating the reeds of Isis, Long past the close of time.

A brown duffle coat ship, bobbing on an unpaved surface,
Weaving a few well-spoken thoughts into your
Captain’s cap.
Can you tell me, David:
Were you X-Centric, or
Merely Eggs Essential?

How about this time I tell you, David:

The spark was always there.
But not like Daedalus, like Prometheus.
The living punishment of Truth,
Chained to your bar stool,
That eternal pint of Carlsberg lager gnawing at your liver.

Like Prometheus David,
The spark is always here.

 

For the late, great David Halliwell; poet, playwright,

author of Malcolm’s Struggle Against the Eunuchs.

I can only miss you when you’re gone.

 

David Halliwell (replacement).jpg

 

 


IS SHE AVAILABLE? Get My Book and FIND OUT.


NOTHING has prepared you for This.  Nothing ever will.

Because whatever is happening Now has never happened before.

This is  a web-nurtured collaboration with 27 artists, sculptors and musicians from the world of Comics, Fantasy, Fine Art and Jazz, including Bill Sienkiewicz, David Lloyd, Liam Sharp, Glenn Fabry, Shaky Kane, Lars Henkel and the cutting edge sculptural typography of the highly acclaimed book designer Rian Hughes.

IS SHE AVAILABLE?  Cover

by Bill Sienkiewicz and Rian Hughes ©2014

This illuminated book is a contemporary Dante’s Divine Comedy; a journey through the confessional landscape of a masculine identity. It uses poetry to construct a narrative that explores themes of death and loss, sex and love, and the modern American and Jewish identity design: by the UK’s eminent graphic designer, typographer, illustrator Rian Hughes.

The music is composed and produced by iconoclast, ex-Israeli, Middle-Eastern jazz virtuoso Gilad Atzmon, along with five other jazz artists.

Written by San Diego native Igor Goldkind, this illuminated book will revolutionize the way you view poetry by meshing comics, art, music and animation in a truly unique way. It uses poetry to construct a narrative that explores themes of death and loss, sex and love, and the modern American and Jewish identity. The book is available for download on the iTunes Store and Google Play, as well as in a 166 page,  fully illustrated in colour hardbound edition available  ORDER HERE.10689672_732000606836698_9129833884739632966_n-1Advance Review pdf of IS SHE AVAILABLE_Page_29

The eBook edition pushes the edge of what is possible with present EPUB3 technology. It is not an App, it is a true book that marries pop art, comics, avant-garde, jazz, spoken word poetry, video and animations, and type design in a manner that we have not seen before IS SHE AVAILABLE? has the feel of an artefact from the near future – a seminal work of a new genre-fusing poetry, graphic art, music, and animation.

Sample interior pages:

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What We Do

IS SHE AVAILABLE? RRP is $34.95, SHIPPING INCLUDED
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Reviews ?  Sure We Got Reviews.  Why You Wanna See Them?  Be my guest.

“Igor’s “Illuminated Book” is like a new genre.  It is a wonderful ekphrastic expression; a fusion of the arts.” — Poet Mel Takahara

“His collection Is She Available? has the feel of an artefact from the near future – a seminal work of a new genre-fusing poetry, graphic art, music, and animation.”             —(San Diego’s) City Beat

“Is SHE Available?” is an experiment, and reading it feels more like an act of discovery… nonetheless there’s a thrill to scrolling through its pages. It’s an ambitious step toward what digital media can (and will) be.”—The Chicago Tribune

You Tube samples:  https://www.youtube.com/playlist?list=PLRnmT_aE0acoowdNBvFtK_VW2OkNN2wWp

SoundCloud samples : https://soundcloud.com/igor-goldkind/sets/is-she-available-spoken-word

The  166 full colour, fully illustrated hard cover deluxe  edition is available in discerning and eclectic independent bookstores everywhere.  Including Fahrenheit 451 in Carlsbad, Soulscape Bookstore in Encinitas, the Upstart Crow in San Diego, Verbatim Books  and Mysterious Galaxy also in San Diego, City Lights and the Cooperfields chain in Marin County and Sonoma County, amongst a growing number of independent book stores.

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images-4

 


DAEDALUS AFRAID TO FLY; Illustration by Mal Earl


David, you bastard, you’ve left me

Understanding here alone,

With only these words falling out of my hands

When it is yours I want to hear again.

Words of your mastery, not mine.

So what was all the swearing about then, David?

What were all those Northern fumes really burning from?

I told you the songs of Yorkshire would never play in LA,

or London for that matter:

Two cities equidistant from your Yorkshire mother.

 

Tell me David, why didn’t you just sell out?

You could have bought yourself a much better pint of beer

With all that money for old knotted ropes and

Still have coughed up the phlegm to laugh at us all.

Is death some kind of joke?

Illustration by Mal Earl

Illustration by Mal Earl

Did you finally track down the film rights to Malcolm, David

And cash them in?

Are you really, secretly living in Barbados,

Making beautiful women miserable?

To think of all this wasted sorrow and

Empty glasses of beer.

 

You did say that you always wanted to visit other places.

But Daedalus, you were afraid to fly.

If you had been born upside down in America

You would have been a southern writer living in some Northern town.

Spilling your southern drawl over a rum and coke in a New York City bar.

Sitting elbow to arm with Williams, O’Neill, Baldwin and them all.

 

Your America was always an America of the mind.

So why fear the flight?

Your America David, was where Charlie Parker was forever sharp shooting pool with Humphrey Bogart in some room behind a neon-splattered bar

Where Chet Baker never jumped or fell but flew, man!

He just flew away.

Like you.

 

So you’re off then, David?

Back up the bumpy road,

Turning the corner round the Little Egyptian cottage

Navigating the reeds of Isis, Long past the close of time.

 

A brown duffle coat ship, bobbing on an unpaved surface,

Weaving a few thoughts into your

Captain’s cap.

Can you tell me David :

Were you X-Centric, or

Merely Eggs Essential?

 

How about this time I tell you, David:

The spark was always there.

But not like Daedalus, like Prometheus.

The living punishment of Truth,

Chained to your bar stool,

That eternal pint of Carlsberg lager gnawing at your liver.

Like Prometheus,

David

The spark is always there.

 

For the late David Halliwell, Poet, Dramatist, author of Malcolm’s Struggle Against the Eunuchs.

The only man I knew who could drink Samuel Beckett and Harold Pinter under the same table.

I can only miss you when you’re gone.