THE OFFICIAL PRESS RELEASE: IS SHE AVAILABLE? AVAILABLE NOW ON iTUNES.

Date: March 31, 2015 at 21:38:22 PDT
Subject: To my friends: THIS is What We Have Done – Is SHE Available?
From: Amy Sterling Casil , Chameleon Publishers
I can honestly say, this is like no other book we have ever seen before; we think perhaps – like no other you may have seen as well.
31 March 2015
For Immediate Release
IS SHE AVAILABLE? PUSHES BOOKS AND PUBLISHING FORWARD THROUGH POETRY, ART, AND MUSIC
Southern-California based publisher Chameleon Publishing releases its first major publication: Is SHE Available? by Igor Goldkind April 1 via the iBooks store.
Is SHE Available? pushes the edge of what is possible with present EPUB3 technology and how books are created and made. It is not an App, it is a true book that marries pop art, comics, avant-garde, jazz, spoken word poetry, video and animations, and type design. Its creative journey was more than a year in the making, growing from the collaborative work of artists, musicians, editors, and designers on two continents.
The poet, Igor Goldkind, is a San Diego native who lived in France and the UK for two decades while promoting the work of today’s most notable comic and graphic novel authors and artists. As a teen, he was one of the co-founders of San Diego’s legendary Comic-Con.
According to Bleeding Cool, “It was Goldkind who popularized the phrase ‘graphic novel’ with the media and found that gave them permission to cover the previously-considered childish medium of comic books . . . . Now, Goldkind’s vision of what graphic novels could be, is returning.”
Is SHE Available? was produced using an international collaborative model, but the book is one man’s voice and one man’s story. Goldkind’s words and voice inspired the art of over 26 internationally-known artists, including cover art and interior illustrations by Eisner-winner Bill Sienkiewicz (Elektra Assassin, Daredevil and more), additional interior illustrations from other graphic novel illustrators and award-winners including Glenn Fabry (Hellblazer, Preacher), David Lloyd (V for Vendetta and many others), Liam Sharp (Judge Dredd/2000 AD/Madefire), fine artists and illustrators Lars Henkel, Mario Cavalli, Mario Torero, Wendy Farrow, and many more.
Music and spoken word were recorded in New York with UK Jazz Album of the Year winner, author and ex-Israeli Gilad Atzmon. A US-based jazz and spoken word tour is scheduled for July 2015.
The type design and hardcover book are created by the eminent London-based designer Rian Hughes (2000 AD, Vertigo, Dan Dare), who includes an afterward about the collaborative design process. E-book production, incorporating Madefire animations, audio and additional animation, were provided by Chameleon Publishing in Southern California.
Due to the inclusion of video, audio and animations, and fine type design, it is playable only on Apple devices, and available only through the iBooks store. The hardcover (without music, spoken word or animations) will be published July 15, 2015.
Other “enhanced e-books” have been produced with budgets of $100,000 or more, and few have sold well. The “wisdom” is: poetry doesn’t sell. Enhanced e-books don’t sell. Most jazz doesn’t sell, either. Comic and graphic novel artists struggle to show their fine art to the public. And what publisher would take on a completely unknown poet whose claim to fame was selling fancy comic books to grown-ups and co-founding a big comic/media/scantily-clad women-fest like Comic-Con?
Twenty percent of North Americans regularly buy and read books. Nearly a hundred percent can read. Chameleon’s mission is to make books for everyone, not just a selected few.
Published April 1, 2015, in honor of National Poetry Month.
-END-
For more information and to obtain a copy of Is SHE Available? eBook for review (EPUB3 only on iOS devices – iPad, iPhone and Apple computers) or an advance reading copy of the hardcover edition contact the publisher:
Amy Sterling Casil
Chameleon Publishing Inc
THE BORDER OF YOUR MIND
Sometimes I just see patterns.
The field of endeavor; the day-to-day rhythm of endless steps towards complacency becomes too much for me.
Screens and chimes and pleasant bleeps lull me into mindless, not mindful sleep.
It’s then that the field breaks down.
into shivering, electrical abstract shapes.
Form with no narrative other than energy.
Images that just to seem to connect remote dis-relations into pattern and recognition.
The patterns, the connections; look for the connections.
Like Borders. Lines. Fences. Walls.
The bricks that must be removed one stone at a time.
In Gaza, along the Mexican/American frontier;
Borders seem to define.
Here’s my line:
THE BORDER IN YOUR MIND
by Igor Goldkind
The Border in your Mind,
The dividing line,
Between you and you
and you and me.
The Borderline we hide behind.
The crying child on the dusty road without clothes,
Heading toward you,
Reaching out to you; Is you.
Don’t you see?
Can’t you see?
What causes all this misery?
The Border in in your Mind.
That’s the only dividing line between
You and you and
You and me
And me and me.
THE SEED by Igor Goldkind
I’d like to take a pause from buying things.
Not that I don’t like things; or buying them,
I like things, lots of things.
Not lots, but many things.
But I’d like to take a pause from buying things,
Or borrowing the money for the many things I must have
That I will never really own.
I ‘d like to take a pause from buying things,
Take stock of what I need;
I need to check my bank account and count the monthly leeches that I feed.
I ‘d like to take a pause from buying things until I know exactly what I’ll need.
Hey, would you like to take a pause from buying things,
Just to measure what is real?
Go ahead, take a pause from buying things;
Till you’re certain you have enough ground
in which to plant this seed.
GRAVITY’S CONQUEST

This is from my upcoming collection of poetry, art and music entitled IS SHE AVAILABLE? (Chameleon; October 31)
Artwork by the incomparable Liam Sharp (an ostrich, a rhino? a toaster? a xylophone? See, you can’t compare him.)
This image, conjured from his reading of the poem below, is Copyright Liam Sharp 2014.
The poem GRAVITY’S CONQUEST may be reproduced widely without restriction, as long as it is intact, attributed and appears in a place likely to incite civil and/or psychological unrest. Please write it on lavatory walls and biology school books.
Don’t fall too far from your self.
Who else is going to bend over to pick you up?
GRAVITY’S CONQUEST
You know, you’ve already seen the inside of your guts
Looking for a way out.
You know, you’ve already seen what you’ve seen:
You know what you know.
You know the truth like an elder brother.
You know, it’s usually right ‘there’,
The last place you looked.
The last place you wanted to forget:
Your bare feet,
Pasted against the concrete;
Gravity’s Conquest.
Nailed through the heels.
Poised,
Gracefully
On the precarious cusp
Between this death and that life.
WIN! THE REVOLUTION IN ONLY 2 DIGITS
Last Minute Re-Versioning. I think it works better now. Soon we will be launching the animated version of the illustration for the piece by the intensely wonderful and visually lyrical Jeff Christenten. Thanks to Evan@Madefire. As well as an original composition for the entire multimedia piece from the intense genius of Gilad Atzmon. Please stay tuned. Please enjoy. Please comment good or bad. What’s the difference ?
THE REVOLUTION IN ONLY 2 DIGITS
Home again.
Thomas, you were wrong to doubt it:
You Can Go Home Again and
Bask in the healing sun of Osiris
This isn’t home
This is recovery.
From the fevered scurvy of my own forgetfulness.
I eat limes for breakfast, lunch and dinner now;
My bowels move regularly now.
And I feel just like Thomas Payne
His bursting desire to model the ideal citizen
Not our uniforms, but our blood, sinew and muscle.
To present to the Crowning Glory and
To the Revolutionary Congress and
To the Revolutionary French Senate
Thomas and his Pain made the American struggle a personal fight:
The universal pull of the upright ape on the chains holding him down.
Chains forged by the forgetful hairless ones.
The ones we will overcome.
But we are not revolutionaries!
We are the Revolution.
We are what happens next.
The R/Evolution of our Selves: the inner/outer seeing through Alice’s mirror
Into mindful awareness
Into homage to our honored masters and their children:
The ever loving human race.
We have already won the revolution.
We have already won the revolution.
2 Shots were fired from far, far ago:
One from Lovelace’s boudoir,
Another from Giordano’s spinning wheels and the memory of his funeral pyre.
And from the bit of the apple Alan choked down,
We have already won the revolution.
We just need to take charge.
We have already won the revolution.
In only 2 digits.
THE REVOLUTION IN ONLY 2 DIGITS
Home again.
Thomas, you were wrong to doubt it:
You Can Go Home Again and
Bask in the healing sun of Osiris
This isn’t home
This is recovery.
From the fevered scurvy of my own forgetfulness.
I eat limes for breakfast, lunch and dinner now;
My bowels move regularly now.
And I feel just like Thomas Payne
His bursting desire to model the ideal citizen
Not our uniforms, but our blood, sinew and muscle.
To present to the Crowning Glory and
To the Revolutionary Congress and
To the Revolutionary French Senate
Thomas and his Pain made the American struggle a personal fight:
The universal pull of the upright ape on the chains holding him down.
Chains forged by the forgetful hairless ones.
The ones we will overcome.
But we are not revolutionaries!
We are the Revolution.
We are what happens next.
The R/Evolution of our Selves: the inner/outer seeing through Alice’s mirror
Into mindful awareness
Into homage to our honored masters and their children:
The ever loving human race.
We have already won the revolution.
We have already won the revolution.
2 Shots were fired from far, far ago:
One from Lovelace’s boudoir,
Another from Giordano’s spinning wheels and the memory of his funeral pyre.
And from the bit of the apple Alan choked down,
We have already won the revolution.
We just need to take charge.
We have already won the revolution.
In only 2 digits.