THE OFFICIAL PRESS RELEASE: IS SHE AVAILABLE? AVAILABLE NOW ON iTUNES.
Date: March 31, 2015 at 21:38:22 PDT
Subject: To my friends: THIS is What We Have Done – Is SHE Available?
From: Amy Sterling Casil , Chameleon Publishers
I can honestly say, this is like no other book we have ever seen before; we think perhaps – like no other you may have seen as well.
31 March 2015
For Immediate Release
IS SHE AVAILABLE? PUSHES BOOKS AND PUBLISHING FORWARD THROUGH POETRY, ART, AND MUSIC
Southern-California based publisher Chameleon Publishing releases its first major publication: Is SHE Available? by Igor Goldkind April 1 via the iBooks store.
Is SHE Available? pushes the edge of what is possible with present EPUB3 technology and how books are created and made. It is not an App, it is a true book that marries pop art, comics, avant-garde, jazz, spoken word poetry, video and animations, and type design. Its creative journey was more than a year in the making, growing from the collaborative work of artists, musicians, editors, and designers on two continents.
The poet, Igor Goldkind, is a San Diego native who lived in France and the UK for two decades while promoting the work of today’s most notable comic and graphic novel authors and artists. As a teen, he was one of the co-founders of San Diego’s legendary Comic-Con.
According to Bleeding Cool, “It was Goldkind who popularized the phrase ‘graphic novel’ with the media and found that gave them permission to cover the previously-considered childish medium of comic books . . . . Now, Goldkind’s vision of what graphic novels could be, is returning.”
Is SHE Available? was produced using an international collaborative model, but the book is one man’s voice and one man’s story. Goldkind’s words and voice inspired the art of over 26 internationally-known artists, including cover art and interior illustrations by Eisner-winner Bill Sienkiewicz (Elektra Assassin, Daredevil and more), additional interior illustrations from other graphic novel illustrators and award-winners including Glenn Fabry (Hellblazer, Preacher), David Lloyd (V for Vendetta and many others), Liam Sharp (Judge Dredd/2000 AD/Madefire), fine artists and illustrators Lars Henkel, Mario Cavalli, Mario Torero, Wendy Farrow, and many more.
Music and spoken word were recorded in New York with UK Jazz Album of the Year winner, author and ex-Israeli Gilad Atzmon. A US-based jazz and spoken word tour is scheduled for July 2015.
The type design and hardcover book are created by the eminent London-based designer Rian Hughes (2000 AD, Vertigo, Dan Dare), who includes an afterward about the collaborative design process. E-book production, incorporating Madefire animations, audio and additional animation, were provided by Chameleon Publishing in Southern California.
Due to the inclusion of video, audio and animations, and fine type design, it is playable only on Apple devices, and available only through the iBooks store. The hardcover (without music, spoken word or animations) will be published July 15, 2015.
Other “enhanced e-books” have been produced with budgets of $100,000 or more, and few have sold well. The “wisdom” is: poetry doesn’t sell. Enhanced e-books don’t sell. Most jazz doesn’t sell, either. Comic and graphic novel artists struggle to show their fine art to the public. And what publisher would take on a completely unknown poet whose claim to fame was selling fancy comic books to grown-ups and co-founding a big comic/media/scantily-clad women-fest like Comic-Con?
Twenty percent of North Americans regularly buy and read books. Nearly a hundred percent can read. Chameleon’s mission is to make books for everyone, not just a selected few.
Published April 1, 2015, in honor of National Poetry Month.
For more information and to obtain a copy of Is SHE Available? eBook for review (EPUB3 only on iOS devices – iPad, iPhone and Apple computers) or an advance reading copy of the hardcover edition contact the publisher:
Amy Sterling Casil
Chameleon Publishing Inc
YES, I AM AVAILABLE . . . . . . for a price . . . .
OK, you can buy it now.
My book that is, the one I have been going on and on about on these pages for the past 9 months.
It took awhile, a little longer than I planned on.
But it’s here now: SHE IS NOW AVAILABLE!
My apologies to everyone I have kept waiting, but I think you’ll find that the end result was well worth it.
You really haven’t seen anything like this before.
Somewhat in recompense, my publisher is offering a SPECIAL INTERNET OFFER to my FB and blog followers:
As of tomorrow, you’ll be invited to pre-order the 164, fully illustrated Hard Cover Edition designed by Rian Hughes featuring an original cover by Bill Sienkiewicz for the regular price of $24.99 and
Get the eBook Download RIGHT NOW FOR FREE.
This offer starts tomorrow for a limited time only. The hardcover edition ships this month and will be available in May. This is your chance to get a copy before your friends can steal theirs from the library, for a LIMITED TIME ONLY.
This is a book of Poetry and a book handcrafted by love, tears and the visions of 27 artists, musicians and animators.
Poems are a way to talk to a side of ourselves we cannot talk to and a way to take pictures of things that we cannot take pictures of. But like a picture, it also holds moments in time. It works in the space between words, where connections are made, meaning is formed and the poem is ultimately owned by the reader.
And still, for so many of us, you only notice poetry when you need it.
Because while all the poetry in the world might not be worth as much as one good doctor, if there is a reason we are alive, if there is a reason we’re here, it can be found in poetry. It is the barest bones of the human experience and it captures the soul in flight.
Kind Regards, and please may I ask that you share my words with your Friends.
THE FOOL’S LAUNCH PAD
The book is finally ready.I’ve seen it, played it, read it, listened to it so many times it’s near driven me mad.
The act of creation is an explosion, a maelstrom of emotional energies seeking form, vying with their own legacy of fragile structures, to Break Through to Something New.
That is the goal.
But the monotony of honing the perfection; wherein the hot metals cool and adhere to the cast, is the labour that seems unending compared to that first ejaculate of inspiration.
So we toil as we complain.
But there never really ever was any turning back
And now there’s no looking back, because the book is uploaded and now for sale on in iTunes, the Books Online Directory and the publisher’s own site: Is She Available?
If you’re reading this, you can get a special discount offer on the website; a kind of 2-4-1 deal. The kind of incentive that is supposed to get you to read my stuff.
The official release is Wednesday, APRIL FOOL’S DAY, which I consider entirely appropriate. A day like any other day, displaced by a change in calendar; a recalibration of our instruments that measure time makes fools of us all when we forget what the calendar really measures:
our own steep descent in running out of time.
So like you, I am a Fool
I took the opportunity to be published and turned it into something more; something different, something that I felt should have been tried by now. But it hadn’t been.
So I did.
Doing something new.
Whilst the machinations of publishing both print and online, grind into gear, releasing steam and a rumbling thunder, I prepare for my flight from the north to the south.
I will be in the air when this book lifts off from its pad.
I hope it flies.
I hope it flies high enough to break this orbit.
With your help, it very well may.
YES, SHE IS AVAILABLE! OUT NOW !!!!! How Exciting.
I am posting this to announce the official publishing of my book IS SHE AVAILABLE? On April 1st, 2015. the ebook will be available for download on a variety of commercial websites; not least of which is the official website http://is-she-available.com where you will be able to both download the book and pre-order the hardcover edition.
Please, tell your Friends.
“Friends”: how strange that word now seems to me given the dilation of its meaning over the past what 5, 10 years? I recall using the word in reference to a small circle of familiar intimacies; varied in nature and personality but common in values and how we choose to pass our time.
Of course now my Facebook tally shows that I have somewhere near 2,000 such Friends, comprised mainly of people I have never met, with whom I have exchanged a few words at best; and yet in that exchange of Words, have widened the circle of that meaning: Friendship.
Which is why I have come to not so much to write poetry (I started when I was 13), as to publish it. In a form that suits it’s purpose: to reach out to as many people as I can, the Friends of my Friends (and their Friends too), through the channels that will reach them across this sea of data, signs and meanings our attention now spans.
But even the word ‘book’ now seems to have acquired a fluidity of meaning that transcends its original reference. My work is a tangible, page-turning book designed by maestro Rian Hughes; an electronic book with music and animation, a CD of 15 music tracks by the musical enfant adorable Gilad Atzmon; a portfolio of art prints and a selection of Poet-T-Shirts, bearing a selection of fine art images and illustrations from my dozen collaborators on this book.
This ‘Book’ is also a live spoken word/jazz music tour in the US this coming this early summer and a UK tour this Autumn.
I apologise to my Friends who have been hanging on, hearing fragments of news, awaiting the date they can hear less about it and more what it says. I confess, like many things,
it was all my fault.
The inception of this project dates back nearly a year to March 2014, when the author/publisher Amy Sterling, after a long dialogue about writing on Facebook, suggested that her nascent publishing company CHAMELEON Publishing Inc. would be interested in publishing my work. Chameleon Publishing Inc. was a new, next-generation publishing company based in Southern California that’s opening new market channels for books with new readers, mainly for and about women. When I first mentioned my sole discrepancy in this area, Amy replied casually with the second greatest compliment a woman has ever paid me: “But your sensibility fits”.
And I’m thankful that it has, because without the efforts of the women who have supported this project, it would not have come to be. From Eleanor Brooks my firm, caring editor, to my daughter Olivia Goldkind-Brooks, to Addie Kaplan my business manager, this vehicle is powered by a uniquely feminine drive. Since the start gun fired, I have been on an unimaginable roller coaster ride of magical serendipity, dazzling disappointments and a severe lack of funds. Don’t let anyone ever tell you that the career of a writer or any artist is easy; sure you have more freedom, but freedom costs what money can’t buy: time, effort and persistence.
I had hoped to announce the publication before Christmas, then the New Year. But the practical demands and hurdles involved in this kind of innovation and creation (thank you, Adobe!), persists with its own priorities, own issues to resolve. I also encumbered myself with the urgency of my mother’s impending demise late last year. I had to unburden myself of the notion that I needed to place a copy of my book in her hand before she passed. It wasn’t practical it wasn’t possible and in the end, it wasn’t necessary.
The personal is always constrained by the impersonal.
Now we are resolved.
My persistence on this project, (some would add, against all reason), is about to see fruit. Whether the fruit is sweet or bitter (or both) will soon be for others to determine. What I can tell you is that I have put all of myself into this this deeply confessional, personal work. All of my sweat, all of my anger, all of my love, all of my hatred, all of my blood, sinew and bone into the making of this creation. My intent is to connect with you, with your emotions, your experiences and your sense of your self by sharing the most personal in the most universal way I can. I believe, at the depth of our selves, in our own most solitary, private existences is where we find each other gathered, maybe huddled, in the same exact corner.
It will not be to everyone’s tastes, I’m sure. But if you care to take a look you will find a work that endeavors not to entertain, nor offer safe refuge from harsh truths; but rather to be that truth in Word, in Image, in Music and in Movement.
Because . . .
When you stare into the Abyss long enough,
the abyss will stare back at you;
and if your gaze remains unflinching,
the Abyss will speak to you
And this is what it says . . .